'Strangely enough, no one boycott Hwatu on the ground that it is
the vestige of Japanese Imperialism. It is a deep-seated play into our
culture and society. Consequently we recognise that Hwatu is Korean play
even it is foreign. At least an outlook on nature of Hwatu expresses
twelvemonth and the four seasons of the year that transcends the bound
of nationality'.
- Riu Dae-Young
